Amélie Brodeur, creator of “The Flute Channel” on YouTube, joins us online for a masterclass and Q&A session. With over 24 million views worldwide, you won’t want to miss Amelie’s insights as a flutist and entrepreneur!
NOTE: This class starts at 10 AM HST (12 PM PST; 3 PM EST)
ADMISSION
Admission is FREE for HFS Adult and Student members. Registration is required to attend and to receive the Zoom link. Members who register will also receive a link to a video recording of the class.
CALL FOR PERFORMERS
We welcome performers of all ages and abilities who would like to play for Amelie. If you would like to be considered as a performer, please indicate so in the registration form. Performer spaces are limited and are on a first come first served basis.
Flutist, pedagogue and pianist Amélie Brodeur is founder of YouTube’s The Flute Channel, The Flute Talk Podcast and Director of The Montreal Flute Festival. From symphonic music, contemporary music, world music, chamber music, improvised music and being a public speaker she has been watched over 24,000,000 times all over the world. She has been featured on Journal de Montreal, Salut Bonjour, PodcastCon, CBC radio, Radio-Classique, WPRB Princeton, ClassicFM and many more. She also played in different ensembles for the season’s of SMCQ, Festival du Monde Arabe, Montréal Nouvelle Musique, Festival de Lanaudière and many more. She has a bachelor degree in performance from Université de Montréal and a Diploma in Advanced music performance studies from Concordia University, both with the highest marks and distinction in her classes. She received the Marusia Yaworska scolarship that recognizes the excellence of music performance graduate students. She is also a passionate educator and she holds a bachelor degree in music education from University of Quebec in Montreal(UQAM). Among her engagements with orchestras and ensembles she was a soloist performing Concerto Traversée for flute and orchestra by Gilles Tremblay and Jacques Hétu Flute Concerto for Orchestra with Orchestre 21, under the baton of maestro Paolo Bellomia. Critic Claude Gingras from La Presse described her as an «extraordinary technician of her instrument», describing her playing as expressing the "most beautiful energy.”